There is a moment where the Dreamers team is waiting to hear if they will attend an upcoming competition. 

They wait. Their coach comes out. “Yes,” she says. The group pauses. Nothing happens. The coach says yes again, and suddenly, everyone cheers.

The scene is emblematic of the joys and shortfalls of Angel Studios’ latest and most uncharacteristic film. 

You can’t help but hope for the best for the group of girls at the film’s center. The film intends to make you cheer, but the pacing hiccups make it difficult to know when you’re supposed to. 

In many respects, “Rule Breakers” follows the model of a classic based-on-a-true-story sports movie. You construct the team. They overcome challenges. They succeed through a series of competitions until the big moment.

But the particulars are quite different. Our competitors here are teenage girls from Afghanistan. The competition is robotics. The challenges are not just the discrimination that has become de facto to sports movies but also bombings and customs regulations. 

The characters are such personable go-getters facing so many struggles that you can’t help but root for them. The distinct story helps keep the genre fresh. But the same novelty that benefits the film also makes it hard to understand the stakes. What does it take to get admitted to these competitions? Which competitions are important? What is the goal of the young women participating? The reactions from the characters to their placement were different enough from how I felt that I wondered what I was missing. The series of competitions all felt co-equal. It’d be like watching a baseball movie that starts in spring training and ends in July. You’d feel excited for their growth and wins, but it lacks the build-up and climax that is inherent in the form. 

Nikohl Boosheri plays Roya who became an early female computer programmer in Afghanistan turned coach for the team. She turns in a controlled, understated acting job. Her performance is believable for someone determinedly overcoming the many challenges she does. But what it has in verisimilitude, it lacks in accessibility. I wanted to understand her journey, but instead, I watched her conquer logistics. 

The remainder of the cast follows Boosheri’s lead. For as inexperienced as the ensemble is, there is hardly a misstep. But the characters also don’t feel distinct. 

In many ways, the film reminded me of a documentary. It feels as though it follows events, not a story, and it follows people, not characters. But it also doesn’t have the authenticity or immediacy that sets documentary footage apart.

I struggle to imagine the misanthrope that wouldn’t like this film. Its themes are so deeply human just about anyone will be able to feel them. 

There is one scene between Roya and a Hispanic man named Jesus. They introduce themselves, and she responds, “Like the Christian prophet?”

Jesus responds, “Yeah, is that a problem?” Roya takes a beat and chuckles to herself, “No. My father is named Mohammed.” 

By being so specific to such a distinct slice of humanity, “Rule Breakers” somehow manages to speak to all of us.

It’s far from a perfect film, but if you love sports movies and culture clash movies, you will love this movie. And even if you don’t, you’ll cheer along. This is an easy film to watch with kids. It’s not flashy enough to keep most kids’ attention, but the plot moves well enough to engage older kids. And there is nothing objectionable at any point for anyone except learning about off-screen violence that could be thematically hard for very young children. It may not seem obvious, but this is a family film in the truest sense. 

Two and a half out of five stars. “Rules Breakers” releases in theaters nationwide on March 7, 2025. 

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